However, I would like to know which articulations are being pulled up. For example, the first violins in EWQL are usually equated to the 18 Violins samples, not the 11 Violins samples. Also, if I want to get more specific control over the full range of my samples, is there a way to add specific articulations from EWQL to specific notations? For example, I want to be sure that EWQL's round robin samples are being used for repeated stacatto notes.
Hi mkiz,
I believe we did use the RR samples for the staccato's in the presets, but anyway, there are two ways you can further "tweak" your presets:
Quick option (easy):
On a score level (meaning the tweak will be valid for the score you save, but not for new scores):As you insert an EWQL preset instrument, exit score setup than click on the instrument's staff and hit Ctrl+I. This will bring up PLAY's interface and its up to you from that point to tweak the preset as much as you want. For best results, replace samples with similar samples (like staccato with spiccatto etc), otherwise your articulations my not work properly.
Advanced option: On a global level (changes will apply to all NEW files)This is if you want to change the preset for all new files you create.
1. This involves editing the preset files directly, which are found in the PluginData\EWQL folder. For info on how to get there, check the thread I just posted regarding getting rid of the warning dialog.
2. Locate the folder and open the notion file you want to tweak the preset of. Once loaded, bring up the PLAY interface with Ctrl+I again and make your changes. Be sure to save your file. From that point on any NEW file you create will have your changes.
Make sure to backup the newly edited PluginData folder. This way you wont loose your work if you need to reinstall NOTION or you apply an update which overwrites the PluginData.
This shows another side of NOTION3 which is very powerful - the ability to customize the presets easily, by just changing the VSTi in a given instrument file. And also gives you a hint of what's possible. There's a whole lot more, which I'll be discussing soon

Regards,
Lubo Astinov