Thanks Thorrild. Surfwhammy had suggested that in a separate post on the same subject. I might have figured that out eventually. I actually entered each note of the bliss but that was some work, and sounds a little mechanical.

Thanks Claudio!

crosati wrote:It sounds very good. My compliments.
Claudio

Thank you Claudio!

That's Phillipe's. He's very good. He's been doing some amazing work with Vocals lately.

My SoundCloud will do that as well, it will jump to a recommended piece.

Is there a way to note a glissando across multiple measures? It appears that a glissando can occur only across one bar line, not more.

This is my first foray into orchestral percussion. It's been fun! Shepherd's Hey by Grainger, Nr 16. I've always loved the energy in this piece.

First cut of this recording, input greatly appreciated!

https://soundcloud.com/tensivity/shephe ... nr-16-ve-4

Saintdufus: This recording was remastered with the same instruments, but I spent a lot more time working on spatialization of the mix. and getting the balances right. Also, I adjusted the attack and decay times of the strings to get more of a slow, continuous string sound. After comparing my recordi...

Thorrild, hope you catch this. You're always a wealth of Notion knowledge.

I'm having trouble entering a harp gliss across measures. I have a long gliss across 4 measures, but I can't seem to figure out how to enter it.

Any hints?

No, it's a significant investment.

In response to Saintdufus' inquiry to my previous post, here's a new version of this piece. This is after about two months or so of work with my large VE string orchestra ensemble. There are 8 Vln I, 8 Vln II, 6 Vla, 6 Vc, and a Bass section here, all with individual samples using different instrume...